@journal {1574571, title = {Harvard Studies in Classical Philology}, volume = {113}, year = {2023}, abstract = {

Contents

Andrew Merritt {\textquotedblleft}ἔρυμαι and ἐρύκω{\textquotedblright}
Georgios Kostopoulos {\textquotedblleft}Vowel Lengthening in Attic Primary Comparatives{\textquotedblright}
Christian Vassallo "Xenophanes on the Soul: Another Chapter of Ancient Physics"
Guy Westwood "Making a Martyr: Demosthenes and Euphraeus of Oreus (Third Philippic 59{\textendash}62)"
Peter Osorio "Trust and Persuasion: Testimony in [Plato] Demodocus"
James J. Clauss and Scott B. Noegel "Near Eastern Poetics in Callimachus{\textquoteright}s Hymn to Apollo"
Robert Cowan "Ucalegon and the Gauls: Aeneid 2 and the Hymn to Delos Revisited"
Christoph Begass "Aktia and Isaktioi Agones: Greek Contests and Roman Power"
Chiara Meccariello "Myth and Actuality at the School of Rhetoric: The Encomium on the Flower of Antinous in Its Cultural and Performative Context"
}, editor = {Jan M. Ziolkowski} } @book {1508181, title = {Solomon and Marcolf: Vernacular Traditions}, year = {2022}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, abstract = {

The Latin prose Solomon and Marcolf, enigmatic in origins, has been a puzzle from long before the sixteenth-century French author Fran{\c c}ois Rabelais through the twentieth-century Russian critic Bakhtin to today. Though often called a dialogue, the second of its two parts comprises a rudimentary novel with twenty episodes. In 2009 the {\textquotedblleft}original{\textquotedblright} received at last an edition and translation with commentary as the first volume in the Harvard Studies in Medieval Latin series.

Solomon and Marcolf: Vernacular Traditions, the fourth volume in the series, displays the mysteries of the tradition. Solomon relates to the biblical king, but did Marcolf originate in Germanic or Eastern regions? Here lovers of literature and folklore may explore, in English for the first time, relevant texts, from the twelfth through the early eighteenth century. These astonishingly varied and fascinating pieces, from Iceland in the North and West through Russia in the East and Italy in the South, have been translated from medieval and early modern French, Russian, German, Icelandic, Danish, and Italian. The book opens with snapshots of two nineteenth-century polymaths, the Englishman John M. Kemble and Russian Aleksandr Veselovskii, whose hypotheses can now be evaluated. An appendix documents awareness of Solomon and Marcolf in late medieval and early modern times.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674271876}, editor = {Jan M. Ziolkowski} } @journal {1503896, title = {Harvard Studies in Classical Philology}, volume = {112}, year = {2022}, abstract = {

Contents

Olga Levaniouk "The Dreams of Bar{\v c}in and Penelope"
Paul K. Hosle "Bacchylides{\textquoteright} Theseus and Vergil{\textquoteright}s Aristaeus"
Vayos Liapis "Arion and the Dolphin: Apollo Delphinios and Maritime
Networks in Herodotus"
Nino Luraghi "The Peloponnesian Peace: Herodotus, Thucydides, and the Ideology of the Peace of Nikias"
Andrea Capra "The Staging and Meaning of Aristophanes{\textquoteright} Assemblywomen"
Konstantine Panegyres "Moses, Pharaoh, and the Waters of the Nile:
Artapanus of Alexandria FGrHist 726 F 3"
Roy D. Kotansky "Underworld and Celestial Eschatologies in the {\textquotedblleft}Orphic{\textquotedblright}
Gold Leaves"
Vittorio Remo Danovi "New Citations from the Libri Etruscorum and Varro
in Vergilian Scholia"
T.H.M. Gellar-Goad "Tears and Personified Nature in Juvenal 15.131{\textendash}140 and Lucretius 3.931{\textendash}962"
Tristan Power "Textual Conjectures on Catullus 55.9-12"
Francesco Rotiroti "From Beneficent God to Maddened Bull: The Shepherd of Men in the Works of Virgil"
J.S.C. Eidinow "The Critic and the Farmer: Horace, Maecenas, and Virgil in
Horace Carm. 1.1"
Shirley Werner "The Rules of the Game: Imitation and Mimesis in
Horace Epistles 1.19"
Francis Newton "Ovid Met. 1: Jupiter{\textquoteright}s Plebeians, the Titles of Augustus,
and the Poet{\textquoteright}s Exile"

Simona Martorana

"Omission and Allusion: When Statius{\textquoteright} Hypsipyle Reads
Ovid{\textquoteright}s Heroides 6"
Michael Zellmann-Rohrer "The Chronokratores in Greek Astrology, in Light of a
New Papyrus Text: Oxford, Bodl. MS Gr. Class. B 24 (P) 1{\textendash}2"
Konstantine Panegyres "ΒΟΜΒΟΣ: Heliodorus Aethiopica 9.17.1"
Andrew C. Johnston "Aemilius and the Crown: Rome and the Hellenistic World of the Alexander Romance"
}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674292628}, editor = {Jan M. Ziolkowski} } @book {1438072, title = {James Loeb, Collector and Connoisseur: Proceedings of the Second James Loeb Biennial Conference, Munich and Murnau 6{\textendash}8 June 2019}, year = {2022}, pages = {336}, abstract = {

James Loeb (1867{\textendash}1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017); collection and connoisseurship (2019); and, after pandemic postponement, psychology and medicine (2023); and music (2025).

The subject of the second conference was Loeb{\textquoteright}s deep and multifaceted engagement with the material culture of the ancient world as a scholar, connoisseur, collector, and curator. The volume{\textquoteright}s contributors range broadly over the manifold connections and contexts, both personal and institutional, of Loeb{\textquoteright}s archaeological interests, and consider these in light of the long history of collection and connoisseurship from antiquity to the present. Their essays also reflect on the contemporary significance of Loeb{\textquoteright}s work, as the collections he shaped continue to be curated and studied in today{\textquoteright}s rapidly evolving environment for the arts.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674278783}, editor = {Jeffrey Henderson and Richard F. Thomas} } @book {1438054, title = {The Lives of Latin Texts: Papers Presented to Richard J. Tarrant}, year = {2021}, pages = {204}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

The papers in this volume are based on a 2018 conference in the Department of the Classics at Harvard University in honor of Richard Tarrant, Pope Professor of the Latin Language and Literature, on the occasion of his retirement.

The breadth of authors, genres, periods, and topics addressed in The Lives of Latin Texts is testament to Richard Tarrant{\textquoteright}s wide-ranging influence on the fields of Latin literary studies and textual criticism. Contributions on stylistic, dramatic, metapoetic, and philosophical issues in Latin literature (including authors from Virgil, Horace, and Seneca to Ovid, Terence, Statius, Caesar, and Martial) sit alongside contributions on the history of textual transmission and textual editing. Other chapters treat the musical reception of Latin literature. Taken together, the volume reflects on the impact of Richard Tarrant{\textquoteright}s scholarship by addressing the expressive scope and the long history of the Latin language.}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674260481\&content=toc}, editor = {Lauren Curtis and Irene Peirano Garrison} } @journal {1428265, title = {Harvard Studies in Classical Philology}, volume = {111}, year = {2021}, abstract = {

Contents

Daniel K{\"o}lligan "Ὄρθος, The Watchdog"
Richard L. Phillips "Invisibility and Sight in Homer: Some Aspects of A. S. Pease Reconsidered"
Antonio Tibiletti "Pondering Pindaric Superlatives in Context"
Matthew Hiscock "Αὐθέντης: A {\textquoteright}Mot Fort{\textquoteright} in the Discourse of Classical Athens"
James T. Clark "Off-Stage Cries? The Performance of Sophocles{\textquoteright} Philoctetes 201{\textendash}218, Trachiniae 863{\textendash}870, and Euripides{\textquoteright} Electra 747{\textendash}760"
Giuseppe Pezzini "Terence and the\ Speculum Vitae: {\textquotedblleft}Realism{\textquotedblright} and (Roman) Comedy"
Neil O{\textquoteright}Sullivan "Quotations from Epicurean Philosophy and Greek Tragedy in Three Letters of Cicero"
Ernesto Paparazzo "A Study of Varro{\textquoteright}s Account of Roman Civil Theology in the Antiquitates Rerum Divinarum and its Reception by Augustine and Modern Readers"
Joseph P. Dexter and Pramit Chaudhuri "Dardanio Anchisae: Hiatus, Homer, and Intermetricality in the Aeneid"
Michael A. Tueller "Dido the Author: Epigram and the Aeneid"
Benjamin Victor, Nancy Duval, and \ Isabelle Chouinard "Subordinating si and ni in Virgil: Some Characteristic Uses, with Remarks on Aeneid 6.882{\textendash}6.883
Richard Gaskin "On Being Pessimistic about the End of the Aeneid"
Gregory R. Mellen "Num Delenda est Karthago? Metrical Wordplay and the Text of Horace Odes 4.8"

Kyle Gervais

"Dominoque legere superstes? Epic and Empire at the End of the Thebaid"
D. Clint Burnett "Temple Sharing and Throne Sharing: A Reconsideration of Σύνναος and Σύνθρονος in the Hellenistic and Roman Periods"
Charles H. Cosgrove "Semi-Lyrical Reading of Greek Poetry in Late Antiquity"
Byron MacDougall "Better Recognize: Anagnorisis in Gregory of Nazianzus{\textquoteright}s First Invective against Julian"
Alan Cameron "Jerome and the Historia Augusta"
Jessica H. Clark "Adfirmare and Appeals to Authority in Servius Danielis"
Jarrett T. Welsh "Nonius Marcellus and the Source Called {\textquoteright}Gloss. i{\textquoteright}"
}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674268999}, editor = {Richard F. Thomas} } @book {1508186, title = {The Cambridge Songs (Carmina cantabrigiensia)}, year = {2020}, publisher = {Harvard University Press}, organization = {Harvard University Press}, edition = {Reprint}, address = {Cambridge, MA}, abstract = {

The Cambridge Songs, from the Latin Carmina Cantabrigiensia, is the most important anthology of songs from before the thirteenth-century Carmina Burana. It offers the only major surviving anthology of Latin lyric poems from between Charlemagne and the Battle of Hastings. It contains panegyrics and dirges, political poems, comic tales, religious and didactic poems, and poetry of spring and love. Was it a school book for students, or a songbook for the use of professional entertainers? The greatest certainty is that the poems were composed in the learned language, and that they were associated with song. The collection is like the contents of an eleventh-century jukebox or playlist of top hits from more than three centuries.

This edition and translation comprises a substantial introduction, the Latin texts and English prose in carefully matched presentation, and extensive commentary, along with appendices, list of works cited, and indices.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674258464}, editor = {Jan M. Ziolkowski} } @book {1438068, title = {The Loeb Classical Library and Its Progeny: Proceedings of the First James Loeb Biennial Conference, Munich and Murnau 18{\textendash}20 May 2017}, year = {2020}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

James Loeb (1867{\textendash}1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), psychology and medicine (2021), and music (2023).

The subject of the inaugural conference was the legacy for which Loeb is best known and the only one to which he attached his name{\textemdash}the Loeb Classical Library, and the three series it has inspired: the I Tatti Renaissance Library, the Dumbarton Oaks Medieval Library, and the Murty Classical Library of India. Including discussions by the four General Editors of each Library{\textquoteright}s unique history, mission, operations, and challenges, the papers collected in The Loeb Classical Library and Its Progeny also take stock of these series in light of more general themes and questions bearing on translations of {\textquotedblleft}classical{\textquotedblright} texts and their audiences in a variety of societies past, present, and future.

}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674248717}, editor = {Jeffrey Henderson and Richard T. Thomas} } @journal {1428264, title = {Harvard Studies in Classical Philology}, volume = {110}, year = {2020}, abstract = {

Contents

Rachel Zelnick-Abramovitz "Half-Slave, Half-Free: Partial Manumission in the Ancient Near East and Beyond"
Chris Eckerman "I Weave a Variegated Headband: Metaphors for Song and Communication in Pindar{\textquoteright}s Odes"
Alexander Nikolaev

"Through the Thicket: The Text of Pindar Olympian 6.54 (βατιᾶι τ{\textquoteright} ἐν ἀπειράτωι)"

Tobias Joho "Alcibiadean Mysteries and Longing for {\textquoteright}Absent{\textquoteright}\ and Iinvisible Things{\textquoteright}\ in Thucydides{\textquoteright} Account of the Sicilian Expedition"
Peter Barrios Lech "Menander and Catullus 8{\textemdash}Revisited: Menander Misoumenos and Catullus Carmen 8"
Katharina Volk "Varro and the Disorder of Things"
John T. Ramsey "The Date of the Consular Elections in 63 and the Inception of Catiline{\textquoteright}s Conspiracy"
Brian D. McPhee "Erulus and the Moliones: An Iliadic Intertext in Aeneid 8.560{\textendash}567"
Julia Scarborough "Eridanus in Elysium: The Underground Poetics of Virgil{\textquoteright}s Violent River"
Geert Roskam "Providential Gods and Social Justice: An Ancient Controversy on Theonomous Ethics"
Rafael J. Gall{\'e} Cejudo "Progymnasmatic Alteration in the Love Letters of Philostratus"
Moys{\'e}s Marcos "Callidior ceteris persecutor: The Emperor Julian and his Place in Christian Historiography"
Val{\'e}ry Berlincourt "Dea Roma and Mars: Intertext and Structure in Claudian{\textquoteright}s Panegyric for the Consuls Olybrius and Probinus"
Fabio Stok "What is the Spangenberg Fragment?"
George M. Hollenback "Do Not Steal Seed: An Overlooked Double Entendre in Oracula Sibyllina 2.71"
Paolo Pellegrini "R. A. B. Mynors and Harvard: An Unpublished Letter to E. K. Rand (10.10.1944)"
}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674237315}, editor = {Richard F. Thomas} } @book {1438070, title = {Sculpture and Coins: Margarete Bieber as Scholar and Collector}, year = {2019}, pages = {166}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

This volume addresses the question of the relation between sculpture and coins{\textemdash}or large statuary and miniature art{\textemdash}in the private and public domain. It originates in the Harvard Art Museums 2011 Ilse and Leo Mildenberg interdisciplinary symposium celebrating the acquisition of Margarete Bieber{\textquoteright}s coin collection. The papers examine the function of Greek and Roman portraiture and the importance of coins for its identification and interpretation. The authors are scholars from different backgrounds and present case studies from their individual fields of expertise: sculpture, public monuments, coins, and literary sources.

Sculpture and Coins also pays homage to the art historian Margarete Bieber (1879{\textendash}1978) whose work on ancient theater and Hellenistic sculpture remains seminal. She was the first woman to receive the prestigious travel fellowship from the German Archaeological Institute and the first female professor at the University of Giessen. Dismissed by the Nazis, she came to the United States and taught at Columbia. This publication cannot answer all the questions: its merit is to reopen and broaden a conversation on a topic seldom tackled by numismatists and archaeologists together since the time of Bernard Ashmole, Phyllis Lehmann and L{\'e}on Lacroix.}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674428379}, editor = {Carmen Arnold-Biucchi and Martin Beckmann} } @book {1438071, title = {Albert{\textquoteright}s Anthology}, year = {2017}, pages = {250}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {Albert{\textquoteright}s Anthology comprises 76 brief and informal reflections on a line or two of Greek or Latin poetry{\textemdash}and a few prose quotations and artistic objects{\textemdash}composed by colleagues and students of Albert Henrichs on the occasion of his retirement in Spring 2017. Appointed Professor of Greek and Latin at Harvard University at the age of thirty in 1973 and Eliot Professor of Greek in 1984, Professor Henrichs has devoted his scholarly career to Greek literature and religion{\textemdash}especially his favorite Greek god, Dionysos{\textemdash}and to incomparably enthusiastic teaching of countless students at both the graduate and undergraduate level. His scholarship and dedication are legendary. This volume is offered to a brilliant and beloved scholar with gratitude, affection, and respect.}, url = {https://www.hup.harvard.edu/catalog.php?isbn=9780674980549}, editor = {Kathleen M. Coleman} } @journal {1123196, title = {Harvard Studies in Classical Philology}, volume = {109}, year = {2017}, abstract = {

Contents

Jos{\'e} Marcos Macedo

"Zeus as (Rider of) Thunderbolt: A Brief Remark on Some of his Epithets"

Nikoloz Shamugia\ 

"Bronze Relief with Caeneus and Centaurs from Olympia"

Hayden Pelliccia

"The Violation of Wackernagel{\textquoteright}s Law at Pindar\ Pythian 3.1"

Maria Pavlou

\ "Lieux de M{\'e}moire in the Plataean Speech (Thuc. 3.53{\textendash}59)"

Robert Mayhew

\ "A Note on [Aristotle] Problemata 26.61: Spider Webs as Weather Signs"

Sam Hitchings

\ "The Date of [Demosthenes] XVII On The Treaty With Alexander"

John Walsh

"A Note on Diodorus 18.11.1, Arybbas, and the Lamian War"

Loukas Papadimitropoulos

\ "Charicleia{\textquoteright}s Identity and the Structure of Heliodorus{\textquoteright} Aethiopica"

Ian Goh

\ "Kun-Egonde: A Note on a Euphemism in Lucilius"

Javier Ur{\'\i}a

\ "Iulius Romanus{\textquoteright} Remark on Titinius (123 G.): Emending a Strange Gloss"

Henry Spelman

\ Borrowing Sappho{\textquoteright}s Napkins: Sappho 101, Catullus 12, Theocritus 28"

Fabio Tutrone

\ "Granting Epicurean Wisdom at Rome: Exchange and Reciprocity in Lucretius{\textquoteright} Didactic (DRN 1.921{\textendash}950)"

Boris Kayachev

"He-Who-Must-Not-Be-Named: Aratus in Virgil{\textquoteright}s Third Eclogue"

Florence Klein

"Vergil{\textquoteright}s {\textquoteleft}Posidippeanism{\textquoteright}?: The Ἀνδριαντοποιικά in Georgics 4 and Statius{\textquoteright} Siluae"

Gianpiero Rosati

"Evander{\textquoteright}s Curse\ and the {\textquoteleft}Long Death{\textquoteright} of Mezentius (Verg. Aen. 8.483{\textendash}488, 10.845{\textendash}850)"

Fiachra Mac G{\'o}r{\'a}in

"The Poetics of Vision in Virgil{\textquoteright}s Aeneid"

Ioannis Ziogas

"Singing for Octavia: Vergil{\textquoteright}s Life, Marcellus{\textquoteright} Death, and the End of Epic"

Benjamin Victor

"Four Passages in Propertius{\textquoteright} Last Book of Elegies"

David Neal Greenwood

"Julian{\textquoteright}s Use of Asclepius\ Against the Christians"

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674971653}, editor = {Richard F. Thomas} } @book {1123259, title = {Images for Classicists}, year = {2015}, pages = {144}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

Contents

Kathleen M. Coleman Approaching the Visual in Ancient Culture: Principles
Luca Giuliani How Did the Greeks Translate Traditional Tales into Images?
Katherine M. D. Dunbabin Image, Myth, and Epic on Mosaics of the Late Roman West
Timothy M. O{\textquoteright}Sullivan Aurati laquearia caeli: Roman Floor and Ceiling Decoration\ and the Philosophical Pose
Andrew Burnett and Dominic Oldman Roman Coins and the New World of Museums and Digital Images
Kathleen M. Coleman Approaching the Visual in Ancient Culture: Practicalities
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674428362}, editor = {Kathleen M. Coleman} } @journal {831696, title = {Harvard Studies in Classical Philology}, volume = {108}, year = {2015}, abstract = {

Contents

Miguel Herrero

"Trust the God{\textquoteright}: Tharsein in Ancient Greek Religion"
Jordi P{\`a}mias\  "Acusilaus of Argos and the Bronze Tablets"
Karen Rosenbecker "Just Desserts: Reversals of Fortune, Feces, Flatus, and Food in Aristophanes{\textquoteright} Wealth"

Yosef Liebersohn \ "Crito{\textquoteright}s character in Plato{\textquoteright}s Crito"

Alexandros Kampakoglou \ "Staging the Divine: Epiphany and Apotheosis in Callimachus HE 1121{\textendash}1124"

Chistopher Eckerman \ "Catullus{\textquoteright} Bacchylides and his Muses in Carmen 61"

Christopher Jones "The Greek Letters Ascribed to Brutus"

Jefferds Huyck \ "Another Sort of Misogyny: Aeneid 9.140{\textendash}141"

Mark Heerink \ "Hylas, Hercules, and Valerius Flaccus{\textquoteright} Reaction to the Aeneid"

Lowell Edmunds \ "Pliny the Younger on his Verse and Martial{\textquoteright}s Non-Recognition of Pliny as a Poet"

Eleanor Cowan \ "Caesar{\textquoteright}s One Fatal Wound: Suetonius Div. Iul. 82.3"

Graeme Bourke \ "Classical Sophism and Philosophy in Pseudo-Plutarch On the Training of Children"

Jarrett Welsh "Verse Quotations from Festus"

Benjamin Garstad

"Rome in the Alexander Romance"
James Adams

"The Latin of the Magerius Mosaic"
Lucia Floridi

"The Construction of a Homoerotic Discourse in the Epigrams of Ausonius"
Massimiliano Vitiello

"Emperor Theodosius{\textquoteright} Liberty and the Roman Past"
Tom Keeline and Stuart McManus

"Benjamin Larnell, Indian Latinist"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674417540}, editor = {Richard F. Thomas} } @journal {685611, title = {Harvard Studies in Classical Philology 107}, volume = {107}, year = {2013}, publisher = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

Contents

Sarah Harden and Adrian Kelly

"Proemic Convention and Character Construction in Early Greek Epic"
Felix Budelmann "Alcman{\textquoteright}s Nightscapes (Frs. 89 and 90\ PMGF)"
Wilfred Major "Epicharmus, Tisias, and the Early History of Rhetoric"

Timothy G. Barnes \ "δρακείς, δέδορκε and the Visualization of κλέος in Pindar"

Rob Sobak \ "Dance, Deixis, and the Performance of Kyrenean Identity: A Thematic Commentary on Pindar{\textquoteright}s Fifth\ Pythian"

Olga Tribulato \ "Of Chaos, Nobility and Double Entendres: The Etymology of χαῖος and βαθυχαῖος (Ar.\ Lys. 90{\textendash}91, 1157; Aesch.\ Supp. 858; Theoc. 7.3)"

Davide Secci "Hercules, Cacus and Evander{\textquoteright}s Myth-Making in\ Aeneid\ 8"

Tom Keeline \ "The Literary and Stylistic Qualities of a Plinian Letter"

Giuseppe La Bua \ "Between Poetry and Politics: Horace and the East"

Arjan Zuiderhoek \ "No Free Lunches:\ Paraprasis\ in the Greek Cities of the Roman East"

Tristan Power \ "Nero{\textquoteright}s Cannibal (Suetonius\ Nero\ 37.2)"

Jeroen Lauwers \ "Systems of Sophistry and Philosophy: The Case of the Second Sophistic"

Scott McGill "The Plagiarized Virgil in Donatus, Servius, and the\ Anthologia Latina"

John Fitch

"Textual Notes on Palladius\ Opus Agriculturae"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674726772}, editor = {Jeremy Rau} } @book {685486, title = {De nobilitati animi}, year = {2012}, pages = {2006}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

Guillelmus de Aragonia\ was known as a philosopher for his commentary on Boethius and his works on physiognomy, oneirology, and astronomy; he was also a physician, perhaps a personal physician to the king of Aragon. In a time of intellectual upheaval and civil strife, when nobility was on the verge of being defined with legal precision as it had not been since antiquity, Guillelmus taught that true nobility is an acquired habit, not an inborn quality. Guillelmus wrote\ De nobilitate animi,\ {\textquotedblleft}On Nobility of Mind,{\textquotedblright} around 1280{\textendash}1290. Working in the recently renewed Aristotelian tradition, he took an independent and original approach, quoting from philosophers, astronomers, physicians, historians, naturalists, orators, poets, and rustics pronouncing proverbs.

This edition presents the Latin text, based on six manuscripts, three of them hitherto unknown, along with an English translation. An introduction reviews Guillelmus{\textquoteright}s life and work, considering his theory of nobility in the contexts of history, philosophy, and rhetoric, and studies the authorities he quotes with particular attention to the troubadours, lyric poets from the area known today as the south of France. An appendix of sources and analogues is also included.

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674068124}, author = {Guillelmus de Aragonia}, editor = {William D. Paden and Mario Trovato} } @journal {685621, title = {Harvard Studies in Classical Philology 106}, volume = {107}, year = {2011}, abstract = {

Contents

Natasha Bershadsky

"A Picnic, a Tomb, and a Crow: Hesiod{\textquoteright}s Cult in the\ Works and Days"
Alexander Dale "Sapphica"
Andrew Faulkner

"Fast, Famine, and Feast: Food for Thought in Callimachus{\textquoteright}\ Hymn to Demeter"
Guillermo Gal{\'a}n Vioque

"A New Manuscript of Classical Authors in Spain"
Jarrett T. Welsh

"The Dates of the Dramatists of the\ Fabula Togata"
Andrea Cucchiarelli

"Ivy and Laurel: Divine Models in Virgil{\textquoteright}s\ Eclogues"
John Henkel

"Nighttime\ Labor: A Metapoetic Vignette Alluding to Aratus\ at\ Georgics\ 1.291{\textendash}296"
Salvatore Monda

"The Coroebus Episode in Virgil{\textquoteright}s\ Aeneid"
Mark Toher

"Herod{\textquoteright}s Last Days"
Bart Huelsenbeck

"The Rhetorical Collection of the Elder Seneca: Textual Tradition\ and Traditional Text"
Robert Cowan

"Lucan{\textquoteright}s Thunder-Box: Scatology, Epic, and Satire\ in Suetonius{\textquoteright}\ Vita Lucani"
Erin Sebo

"Symphosius 93.2: A New Interpretation"
Christopher P. Jones

"Imaginary Athletics in Two Followers of John Chrysostom"
William T. Loomis and\ 
Stephen V. Tracy

"The Sterling Dow Archive: Publications, Unfinished Scholarly\ Work, and Epigraphical Squeezes"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674072015}, editor = {Kathleen M. Coleman} } @book {685496, title = {Poems: The Canon}, year = {2011}, pages = {420}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

C. P. Cavafy (Konstantinos Petrou Kavafis) is one of the most important Greek poets since antiquity. He was born, lived, and died in Alexandria (1863{\textendash}1933), with brief periods spent in England, Constantinople, and Athens. Cavafy set in motion the most powerful modernism in early twentieth-century European poetry, exhibiting simple truths about eroticism, history, and philosophy{\textemdash}an inscrutable triumvirate that informs the Greek language and culture in all their diachrony. The Cavafy Canon plays with the complexities of ironic Socratic thought, suffused with the honesty of unadorned iambic verse.

Based on a fifty-year continuous scholarly and literary interaction with Cavafy{\textquoteright}s poetry and its Greek and western European intertexts, John Chioles has produced an authoritative and exceptionally nuanced translation of the complex linguistic registers of Cavafy{\textquoteright}s Canon into English.

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674053267}, author = {C. P. Cavafy}, editor = {Demetrios Yatromanolakis and John Chioles} } @journal {685631, title = {Harvard Studies in Classical Philology 105}, volume = {105}, year = {2010}, abstract = {

Contents

Carolyn Higbie "Divide and Edit: A Brief History of Book Divisions"
Ho Kim "Aristotle{\textquoteright}s\ Hamartia\ Reconsidered"
Andrew Faulkner "Callimachus and his Allusive Virgins"
Jos{\'e} Gonz{\'a}lez "Theokritos{\textquoteright}\ Idyll\ 16: The\ Kharites\ and Civic Poetry"
Matthew Leigh "Boxing and Sacrifice in the Epic: Apollonius, Vergil, and Valerius"
Sviatoslav Dmitriev "The Rhodian Loss of Caunus and Stratonicea in the 160s"
Radoslaw Pietka "Trina tempestas\ (Carmina Einsidlensia\ 2.33)"
James Uden "The Vanishing Gardens of Priapus"
Maria Ypsilanti "Trimalchio and Fortunata as Zeus and Hera"
Martin Korenjak "Ps.-Dionysius on Epideictic Rhetoric: Seven Chapters, or One Complete Treatise?"
Jarrett T. Welsh "The Grammarian C. Iulius Romanus and the\ Fabula Togata"
Silvio B{\"a}r "Quintus of Smyrna and the Second Sophistic"
Simon Price "The\ Conversion\ of A. D. Nock in the Context of his Life, Scholarship, and Religious Views"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674053441}, editor = {Kathleen M. Coleman} } @book {649506, title = {Imagination and Logos: Essays on C. P. Cavafy}, year = {2010}, pages = {299}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

This book explores diverse but complementary cross-disciplinary approaches to the poetics, intertexts, and impact of the work of C. P. Cavafy (Konstantinos Petrou Kavafis), one of the most influential twentieth-century European poets. Written by leading international scholars from a number of disciplines (critical theory, gender studies, comparative literature, English studies, Greek studies, anthropology, classics), the essays of this volume situate Cavafy{\textquoteright}s poetry within the broader contexts of modernism and aestheticism, and investigate its complex and innovative responses to European literary traditions (from Greek antiquity to modernity) as well as the multifaceted impact of Cavafy and his writings on other major figures of world literature.\ 

Contributors: Eve Sedgwick, Helen Vendler, Dimitrios Yatromanolakis, Albert Henrichs, Richard Dellamora, Kathleen Coleman, Mark Doty, James Faubion, Diana Haas.\ 

Jacket image: The Smoker by Ioannis Roilos, reproduced by permission of the painter.

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674053397}, editor = {Panagiotis Roilos} } @journal {685696, title = {Harvard Studies in Classical Philology 104}, volume = {104}, year = {2008}, abstract = {

Contents

Jeremy Rau "Δ 384 Τυδῆ, Ο 339 Μηκιστῆ, τ 136 Ὀδυσῆ"
Naomi Rood "Craft Similes and the Construction of Heroes in the\ Iliad"
Yoav Rinon "The Tragic Pattern of the\ Iliad"
Catherine Rubincam "Herodotus and his Descendants: Numbers in Ancient and Modern Narratives of Xerxes{\textquoteright} Campaigns"
Chiara Thumiger "Personal Pronouns as Identity Terms in Ancient Greek: The Surviving Tragedies and Euripides{\textquoteright}\ Bacchae"
Luis Andr{\'e}s Bredlow Wenda "Epicurus{\textquoteright} Letter to Herodotus: Some Textual Notes"
Ulrich Gotter "Cultural Differences and Cross-Cultural Contact. Greek and Roman Concepts of {\textquoteright}Power{\textquoteright}"
Christopher Krebs "Hebescere virtus\ (Sallust\ BC\ 12.1): Metaphorical Ambiguity"
Alexei Grishin "Ludus in undis: An Acrostic in\ Eclogue\ 9"
Jackie Elliott "Aeneas{\textquoteright} Generic Wandering and the Construction of the Latin Literary Past: Ennian Epic vs. Ennian Tragedy in the Language of the\ Aeneid\ "
Luis Rivero Garc{\'\i}a "Virgil\ Aeneid\ 6.445{\textendash}446: A Critical Note"
Monika Asztalos "The Poet{\textquoteright}s Mirror: Horace{\textquoteright}s\ Carmen\ 4.10"
Denis Rousset "The City and its Territory in the Province of Achaea and {\textquoteright}Roman Greece{\textquoteright}"
Alexander Kirichenko "Satire, Propaganda, and the Pleasure of Reading: Apuleius{\textquoteright} Stories of Curiosity in Context"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674031586}, editor = {Nino Luraghi} } @book {649491, title = {East and West: Papers in Ancient History Presented to Glen W. Bowersock}, year = {2008}, pages = {218}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

In this volume a distinguished international group of ancient historians explores the classical antiquity that Glen W. Bowersock has given us over a scholarly career of almost fifty years at Harvard and the Institute for Advanced Study, described by Aldo Schiavone in his introduction as "a world of plurality and of the multifarious, of the ethnic and cultural melting pot, the world of Romanized Greekness and Hellenized Romaness, of open, shifting identities, of travels, curiosities and exchanges, of East permeating West and the West understanding the East, of seas that unite much more than they divide, of malleability, pliability, and constant integration."

Contents
Aldo Schiavone "Only Connect"
Walter Ameling Ethnography and Universal History in Agatharchides
Andrea Giardina Metis\ in Rome: A Greek Dream of Sulla
Miriam T. Griffin Iure plectimur: The Roman Critique of Roman Imperialism
Christopher Jones The Survival of the Sophists
Robert J. Penella Himerius{\textquoteright} Orations to his Students
Peter Brown Alms and the Afterlife: A Manichaean View of an Early Christian Practice
Maurice Sartre De P{\'e}tra {\`a} J{\'e}rusalem {\textellipsis} et retour!
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674033481}, editor = {T. Corey Brennan and Harriet I. Flower} } @book {649451, title = {Solomon and Marcolf}, year = {2008}, pages = {470}, publisher = {Department of the Classics, Harvard University}, organization = {Department of the Classics, Harvard University}, address = {Cambridge, MA}, abstract = {

Solomon and Marcolf\ enjoyed an extraordinary heyday in the fifteenth and sixteenth centuries. Its first half constitutes a dialogue, mostly of one-liners, between King Solomon and a wily, earthy, and irreverent rustic named Marcolf, while its second recounts tricks that the peasant plays upon the ruler. Although less known than\ Till Eulenspiegel,\ Solomon and Marcolf\ was printed not only in Latin but also in German, English, Italian, and other European languages. Marcolf was associated closely with Aesop as well as with practical jokers and clowns in vogue in early modern literature. Today\ Solomon and Marcolf\ has notoriety from its mention in\ Gargantua\ and its analysis by Mikhail Bakhtin in\ Rabelais and His World.

Traditions about Solomon and Marcolf became widespread at the very latest by 1000, but perhaps centuries earlier. The Latin prose as it has been preserved is likely to have taken shape around 1200, but the earliest extant manuscript dates from 1410. Tantalizing bits of evidence point to connections between Marcolf and the Near East. Thus the contest with Marcolf was related to riddle competitions between King Solomon on the one hand and King Hiram of Tyre or the Queen of Sheba on the other.

Solomon and Marcolf, not put into English since 1492, is here presented with the Latin and a facing translation. In addition to a substantial introduction, the text comes with a detailed commentary that clarifies difficulties in language and identifies proverbial material and narrative motifs. The commentary is illustrated with reproductions of the woodcut illustrations from the 1514 printing of the Latin. The volume contains appendices with supplementary materials, especially sources, analogues, and testimonia; a bibliography; and indices.

Jan M. Ziolkowski\ is Director of\ Dumbarton Oaks Research Library and Collection\ in Washington and Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.

Jacket illustration: Frontispiece of\ Collationes quas dicuntur fecisse mutuo rex Salomon sapientissimus et Marcolphus {\textellipsis}, printed by Johann Weissenburger in Landshut, Germany, on May 14, 1514 (Munich, Staatsbibliothek, L.eleg.m.250, 9)

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674028418}, author = {Jan M. Ziolkowski} } @journal {685701, title = {Harvard Studies in Classical Philology 103}, volume = {103}, year = {2007}, abstract = {

Contents

Renaud Gagn{\'e} "Winds and Ancestors: The\ Physika of Orpheus"
Jonas Grethlein "The Poetics of the Bath in the\ Iliad"
Daniel Turkeltaub "Perceiving Iliadic Gods"
Ruth Scodel "The Gods{\textquoteright} Visit to the Ethiopians in\ Iliad\ 1"
Alberto Bernab{\'e} "The Derveni Theogony: Many Questions and Some Answers"
Herbert Granger "The Theologian Pherecydes of Syros and the Early Days of Natural Philosophy"
Olga Levaniouk "The Toys of Dionysos"
Filippomaria Pontani "Shocks, Lies, and Matricide: Some Thoughts on Aeschylus\ Choephoroi\ 653-718"
David Wolfsdorf "Φιλία in Plato{\textquoteright}s\ Lysis"
Vayos Liapis "How to Make a\ Monostichos: Strategies of Variation in the\ Sententiae Menandri"
Stanley Hoffer "The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry"
Alan Cameron "The Imperial Pontifex"
Llewelyn Morgan "Neither Fish nor Fowl? Metrical Selection in Martial{\textquoteright}s\ Xenia"
Christina Kokkinia "A Rhetorical Riddle: The Subject of Dio Chrysostom{\textquoteright}s\ First Tarsian Oration"
Andrew Turner "Frontinus and Domitian:\ Laus principis\ in the\ Strategemata"
Miriam Griffin "The Younger Pliny{\textquoteright}s Debt to Moral Philosophy"
Gregory Hays "Further Notes on Fulgentius"
Wayne Hankey "Re-evaluating E. R. Dodds{\textquoteright} Platonism"
Se{\'a}n Hemingway and Henry Lie "A Copper Alloy Cypriot Tripod at the Harvard University Art Museums"
Maura Giles-Watson "Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Hero{\textquoteright}s Escape from Polyphemos"
}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674021303}, editor = {Albert Henrichs} } @book {691816, title = {Epiploke: Rhythmical Continuity and Poetic Structure in Greek Lyric}, year = {1988}, pages = {288}, publisher = {Department of the Classics}, organization = {Department of the Classics}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674258228}, author = {Thomas Cole} } @book {691806, title = {The Roman World of Dio Chrysostom}, year = {1978}, pages = {208}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, abstract = {

The Greek orator Dio Chrysostom is a colorful figure, and along with Plutarch one of the major sources of information about Greek civilization during the early Roman Empire.\ Christopher P. Jones\ offers here the first full-length portrait of Dio in English and, at the same time, a view of life in cities such as Alexandria, Tarsus, and Rhodes in the first centuries of our era.

Skillfully combining literary and historical evidence, Mr. Jones describes Dio{\textquoteright}s birthplace, education, and early career. He examines the civic speeches for what they reveal about Dio{\textquoteright}s life and art, as well as the life, thought, and language of Greek cities in this period. From these and other works he reinterprets Dio{\textquoteright}s attitude toward the emperors and Rome. The account is as lucid and pleasantly written as it is carefully documented.

}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674181342}, author = {Christopher P. Jones} } @book {691791, title = {Chance and Intelligence in Thucydides}, year = {1975}, pages = {243}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674330795}, author = {Lowell Edmunds} } @book {691781, title = {Euripides and the Full Circle of Myth}, year = {1974}, pages = {176}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674437456}, author = {Cedric H. Whitman} } @book {691776, title = {The Column of Antoninus Pius}, year = {1973}, pages = {224}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674143258}, author = {Lise Vogel} } @book {691826, title = {Athenian Bronze Allotment Plates}, year = {1972}, pages = {370}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674182035}, author = {John H. Kroll} } @book {691771, title = {The Transmission of the Text of Lucan in the Ninth Century}, year = {1971}, pages = {224}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674282124}, author = {Harold C. Gotoff} } @book {691766, title = {Greek Dialects and the Transformation of an Indo-European Process}, year = {1970}, pages = {214}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA }, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674182691}, author = {Gregory Nagy} } @book {691836, title = {Romans on the Bay of Naples: A Social and Cultural Study of the Villas and their Owners from 150 B.C. to A.D. 400}, year = {1970}, pages = {252}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, author = {John H. D{\textquoteright}Arms} } @book {691761, title = {Ancient Rhetorical Theories of Simile and Comparison}, year = {1969}, pages = {288}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674186378}, author = {Marsh H. McCall} } @book {691756, title = {Greek Textual Criticism: A Reader}, year = {1969}, pages = {164}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674435384}, author = {Robert Renehan} } @book {691911, title = {Style and Tradition in Catullus}, year = {1969}, pages = {200}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674432291}, author = {Ross, Jr., David O.} } @book {691736, title = {Three Essays on Thucydides}, year = {1967}, pages = {209}, publisher = {Harvard University Press}, organization = {Harvard University Press}, address = {Cambridge, MA}, url = {http://www.hup.harvard.edu/catalog.php?isbn=9780674333895}, author = {John H. Finley} }